“You see, we cannot draw lines and compartments and refuse to budge beyond them. Sometimes you have to use your failures as stepping-stones to success. You have to maintain a fine balance between hope and despair.’ He paused, considering what he had just said. ‘Yes’, he repeated. ‘In the end, it’s all a question of balance.”
The part where Catherine is exploring her room with the curious chests and cabinets had me laughing out loud. I love how Jane is using Ann Radcliffe’s the Mysteries of Udolpho so much, and I’m glad that I read it before this. The naivety of Catherine was something which irked, but also amused me. And the whole conflict between the Thorpes and Tilneys over Catherine was also amusing. I didn’t like how quickly things eloped at the end, and I’m sure it would have been fascinating to follow the exact events which happened after Catherine went home again.
This was one of the first books Jane wrote, although it was published after her death. And her latter works are definitely better. For me, it was the mocking of the gothic novel and especially Udolpho which made me like it. This book was April’s read in Line’s 1001 books reading challenge.
“The person, be it gentlemen or lady, who has not pleasure in a good novel, must be intolerably stupid.”